WAITING FOR TOMORRROW, BY NATHACHA APPANAH, TRANSLATED BY GEOFFREY STRACHAN
Nathacha Appanah’s Waiting for Tomorrow is a meditation on how otherness and selfhood are shaped by the dull pressures of time and society. The novel follows Adam, an old-fashioned architect from the French provinces, and Anita, an ambitious writer from Mauritius who “bridles at the prospect of becoming a woman like so many others.” The couple eventually settles in Adam’s hometown, and for a time Adam thrives in this traditional space while Anita is haunted by her aborted writing career, feeling lost in her own foreignness and her newfound motherhood. Both she and Adam find solace in their au pair Adèle, an undocumented immigrant who is fleeing a past marred by personal tragedy. Through these complex and portentous relationships, Appanah depicts a domestic landscape in which sacrifice is primarily female and foreign, sensed but not understood by the men in the novel.
The novel ends in high drama—with lives cut short and dreams unfulfilled, with Appanah making it painfully apparent that life is little more than a collector’s inventory, a long list of choices and consequences that live on in our memories despite our best efforts to forget. Waiting for Tomorrow aches with longing, either to fulfill one’s destiny or to “rummage about…to seize and root out the tiny…stubborn and vital spark” of survival, a demonstrative reminder that for many, “tomorrow” is simply a euphemism for non-arrival.