THE REVOLUTIONARIES TRY AGAIN, BY MAURO JAVIER CARDENAS
Mauro Javier Cardenas’ first novel, The Revolutionaries Try Again is a lesson in wave-particle duality, the ability of literature (when at its best, and here, it is) to embody multiple states simultaneously. Cardenas’ prose moves like light, undulating yet precise. Long, elegant sentences are riddled with sharp images, like the row of “wincing footwear” two lovers navigate as they leave an orchestra mid-performance, or the “bloom of ruffles” on an expat’s shirt at his San Francisco farewell party, or the “rattle of a can in a long trail of cans” of a city bus navigating the steep hillside of the “canned city” of Guayaquil, Ecuador, where much of the novel takes place. As wonderful as Cardenas’ images are, it's the curvature and musicality of his sentences unfurling that carry the novel, their coiled energy as they explore the fates of the individual and the state, and how each shapes the other. Above all, Cardenas mercilessly explores just how we are to be human in a world of destitution and injustice. For lovers of Cortázar, Bolaño and Woolf, for aficionados of the political novel, and for students of what the future of the novel might look like, The Revolutionaries Try Again is required reading.