LANDSCAPE WITH HEADLESS MAMA, BY JENNIFER GIVHAN
In her debut collection Landscape with Headless Mama, Jennifer Givhan creates a compassionate, though occasionally frightening, portrait in which “Mama,” she tells us in the opening poem, “was the lynchpin— / I’m still turning & turning the screw.” From that first poem on, Givhan’s potent blend of myth, magic, and shadowy, Southwestern imagery speaks in a language of twinned loss: first for the mother, who loses her chance at a university education via pregnancy, then for the daughter, whose miscarriages are surreally interpreted, reflected on, and mourned over in the book’s third section.
But there is joy, too, when the speaker becomes a mother, and here, the depth of Givhan’s collection distinguishes itself. Like the screw “turning & turning” in the opening poem, the fundamental questions of the collection shift and change, interlocking into a complex and satisfying whole— “What’s living / without getting lost?” yields, finally, to “how does one extract the violent bone?” But perhaps the most central of these is the question Givhan asks in the very first poem: “How can I turn away?” The answer is: Givhan doesn’t.
Guest reviewed by Emily Rose Cole.