The musical prose of Hernan Diaz’s debut novel In the Distance is as rich and surprising as the quest that the novel’s protagonist, Håkan Söderström, embarks on through the volatile American West. After unforeseen circumstances send Håkan from Sweden to Gold Rush era San Francisco, he finds himself alone, destitute, and facing a vast language barrier. Among swindlers and bandits, he journeys through barren deserts, salt flats, and expanses of mountains in search of his brother, and, along the way, becomes infamous.

Though it successfully mines many elements of a classic western novel, In the Distance is far more than a western. The meticulous care with which Diaz has clearly crafted each sentence proves he is a highly versatile author, one who is virtually limitless in scope. In this novel, one of the most captivating aspects of his prose is his skillful rendering of the utter confusion that Håkan often experiences while threatened and spoken to in English. This confusion enhances the plot and amplifies the mystery of the bizarre, life-threatening situations Håkan encounters, while simultaneously heightening what’s at stake for him. In a similar fashion, Håkan’s limited range of speech emphasizes his solitude and individuality, and at times even threatens his sanity. Ultimately, it is a combination of nuanced characters like Håkan and finely-tuned, lyrical prose that enables Diaz to wildly succeed here in humanizing an often mythologized time in history.  

Coffee House Press.