BLOOD OF THE DAWN, BY CLAUDIA SALAZAR JIMÉNEZ, TRANSLATED BY ELIZABETH BRYER
How do you write the unspeakable? This question drives Claudia Salazar Jiménez’s debut novel, Blood of the Dawn, as it explores how three Peruvian women weather “the time of fear” brought on by the Shining Path’s military insurgency. Melanie, a frustrated socialite, captures the horrors of guerrilla warfare through a camera lens. Modesta, a country woman, watches her loved ones killed by communists, while Marcela, rechristened Marta, joins the Party, seduced by its offer of power previously out of reach to her as a woman.
Jiménez’s frequent shifts in scene, tense, and perspective reflect the relentless insecurity wrought by Shining Path’s guerrilla tactics and terrorist acts. As translator Elizabeth Bryer notes in her afterword, Jiménez’s resistance to conventional sentence structure is itself an affirmation that language can be a “means of articulating systems of domination, patriarchy among them.” English-speaking readers will appreciate the ways in which Bryer’s translation preserves each woman’s unique cadence, reminding us that tragedy is experienced on a individual level, even as it ravages an entire country. What’s more, Bryer’s decision not to gloss all Quechua words offers English-speaking readers a more direct sense of a culture, landscape, and people in crisis as their country is gutted from the inside.