“Is it possible that for a porous, ambiguous story, you’d want to craft a porous, shifting language in tonal keeping? Perhaps. Not all works are structured so fractally.”

“I don't know if what we read today on paper or on a screen will be read in the same form by who knows who after us, or if it might find other forms, or maybe it will move on a beam of light.”

“I wanted the story to showcase the range of ways women may feel—hence, the plural point of view—and also nod to the ways in which women have been historically misrepresented and misunderstood.”